News and Opinion

Talking about Japanese Film Theory

I've appeared on television and radio multiple times, but I never like to watch or hear myself afterwards. Maybe some of it has to do with some complex over my self image, but mostly it's because I don't like how the ephemeral moment has been preserved forever. Like with writing, there's little you can do after it has been made public (unless you're writing for the net or can work with multiple editions of a book), but at least with writing you can rework the text multiple times until it's reasonably good before publication. With interviews on radio and TV, however, it's usually one take and that's it, mistakes and fumbles and all. I recognize my feelings are contradictory here. Cinema's value lies in part in its ability to capture the unrehearsed moment, to offer a glimpse of what's behind the performance of reality—as well as the performance itself—and lay bare some of its faults and inconsistencies. I admire that about cinema, but I guess I just don't like becoming naked that much myself. One realizes the camera's power once you get in front of it, and realize your image is being captured and projected into the ether.

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