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The Nichigei Film Festival: Cinema, the Emperor, and The Solitary One

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In coming to Japan for this year of research, I was eagerly expecting my first attendance at the Yamagata, Tokyo, and Filmex film festivals in eight years, even if I knew their plusses and minuses. But I was also very pleased to go to a festival that I learned about for the first time: the Nichigei Film Festival, which took place in December.

“Nichigei” stands for the Nihon Daigaku Geijutsu Gakubu, or Nihon University College of Art. The study of film at Nichidai goes back to at least 1929 and has been one of the core courses of the College of Art since it was formed in 1949. The focus has been on production, with such graduates as Ishii Gakuryū, Matsuoka Jōji, Kanai Katsu, and Adachi Masao, although there are also students researching film history. Faculty have included Ushihara Kiyohiko and Tanaka Jun’ichirō.

One of the current professors is Koga Futoshi, who has had a long career starting at the Japan Foundation and continuing with the Asahi Shinbun newspaper. At both, he organized a large number of film events and festivals. He still writes a lot on film (check out his blog) and was a member of the Asahi ratings panel with me at the TIFF. After becoming a professor at Nichigei, Koga has taught a variety of courses, but quite interestingly one for third year students is about film programming. As the main assignment for the course, students have to plan and put on a film festival of their own that will show at a regular commercial theater. This is the Nichigei Film Festival. Each student begins by having to put together serious proposals for a festival, from which the best are selected and presented to Eurospace, the art theater in Shibuya, which then selects the one to put on. The students then have to arrange for renting the films, creating a catalog, arranging for advertising, and inviting guests. They then have to run the week-long festival once it starts.

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