News and Opinion Archive January 2009

Obama Is Beautiful World!

I had class today, so I didn't even think of going to DC to witness Obama's inauguration, even though I would have liked my son to have seen it (at any rate, he said they herded everyone into the school gym and he saw it on TV there). I watched it at work: they put the CNN live stream on a big monitor in one of the classrooms at the Film Study Center and about 25 people watched it from there, clapping and commenting. Still, if I had gone to to the inauguration with my family, my wife and I decided we would've had to sing the wonderful song "Obama Is Beautiful World."

This song has floated around the net for a while, though most people mistake it for a song solely about Barack Obama. It is actually a song by the Anyone Brothers Band that celebrates as much the small city of Obama in Fukui Prefecture on the Japan Sea side of Honshu. A lot of these chiho toshi have been trying to think up ways to generate business and tourism as depopulation and economic inequalities continue to plague places outside the big cities in Japan (in the 1980s and 1990s, one way was to start a film festival, which is how Yubari and the YIDFF got started). Obama City took advantage of the candidacy of Barack Obama to create some merchandise and publicize the city. The song, done by a local band, is not unrelated to this and the lyrics speak as much about the town as the man. The wonderful Japanese English "Obama Is Beautiful World" can refer to the city, as well as to the world President Obama hopes to create.

But still, if Obama City is as the song says it is, let's hope the new administration can help make it such that we all can sing "Earth is Beautiful World".


Movies over Art?

I just saw this in the news. As a promotion gimmick for 20th Century Boy (20-seiki shonen), they've transformed Okamoto Taro's famous sculpture, Tower of the Sun (Taiyo no to, built for the Osaka World Expo in 1970), into the "Friend's Tower" (Tomodachi no to), bearing the mark of the mysterious and destructive "Friend" who attacks in the movie. Does this mean that in today's booming movie business, movies trump art? Or does Toho (whose kanji can mean "the Eastern treasure"), now by far the most successful film company in Japan, have so much power it rules the Eastern Sun in the Land of the Rising Sun?

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okamototaiyo

The Roots of Japanese Anime

Here's a bit of promotional news, but I wanted to announce that my wife's company, Zakka Films, has just released its first DVD, The Roots of Japanese Anime. It's a nice collection of rare prewar and wartime films (Momotaro's Sea Eagle is particularly important, but Chameko's Day is one of my favorites) and involved the participation of a number of my grad students (doing subtitles) and colleagues like Jasper Sharp. I wrote the individual film commentaries and my brother Matt did the graphic design (he runs a design company called Grapheon in Portland and makes movies too).

Here's the official announcement:

Greetings!

We are very pleased to announce the launch of our company, Zakka Films, and the release of our first DVD, The Roots of Japanese Anime, which presents 8 classic films, many of which are appearing for the first time on DVD with English subtitles.

Zakka Films is new venture dedicated to introducing rare and important Japanese films, particularly anime and documentary, to North American audiences.  Many of the powerful and wonderful films we love aren't available outside Japan, so our mission is to change that.

Starting with The Roots of Japanese Anime, we'll present some of the great works of Japanese cinema on information-rich, high-quality DVDs ideal for individual, scholarly, and classroom use. Every DVD will come stocked with extra bonus features and commentaries by noted scholars sure to enlighten students, researchers, and even the casual observer of Japan.

The Roots of Japanese Anime is our first release and contains 8 ground-breaking films from the developmental years of Japanese anime. The centerpiece is Momotaro's Sea Eagle (director: Mitsuyo Seo), Japan's first feature animated film from 1942 notorious for showing "Peach Boy" and his cute animal forces attacking Pearl Harbor. As an example of both Japanese wartime propaganda and the great leaps made in the evolution of Japanese anime, Momotaro's Sea Eagle has been the subject of great interest amongst scholars and fans, but is coming out in North America here for the first time.

The other 7 films introduce the delightful variety of Japanese pre-WWII anime and the popular everyday culture it represented. There are masterworks by anime pioneers such as Noburo Ofuji, Kenzo Masaoka, and Yasuji Murata; cartoons presenting folk tales and legendary samurai heroes; sing-a-long films; and even a wonderful work introducing the day in the life of a young girl from the 1930s.

The DVD includes a 12-page booklet describing the history of early anime and the background of each film written by prominent scholars.

For more information on the DVD and to view the trailer, please visit us at 
www.zakkafilms.com. The Roots of Japanese Anime will also be showing on Saturday, March 28, 9:00 AM at the 2009 AAS Annual Meeting in Chicago.

Thank you very much!

Contact:
Seiko Ono
Zakka Films
www.zakkafilms.com
onoseiko@zakkafilms.com

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Terebi Oshogatsu

Akemashite omedeto gozaimasu! I hope everyone's had a good new year so far!

For me, a Japanese oshogatsu is not just about osechi ryori and hatsumode and kakisome and "traditional" things like that, it's about television. Yes, nenmatsu specials, oshogatsu bangumi, etc. etc. When I lived in Japan, I looked forward to finishing up the osoji (the big year-end clean up that is a great occasion to get you off your ass and cleaning up the house), making some homemade soba, sitting down in front of the TV on New Year's Eve, and vegitate by watching Kohaku uta gassen (the Red and White Song Contest) and Yukutoshi kurutoshi. The next days would be filled with watching all those silly New Year's programs like the Kakushigei taikai and the monomane shows and whatever special came up. Of course I had to watch the Hakone Ekiden too. These were all great ways of catching up with who's who in the geinokai and music world, but there was also something ritualistic about it. Kohaku used get ratings of about 80 percent in the 1960s, so it was as if what helped you define yourself as Japanese was not just going to the shrine on gantan, but watching that peculiar amalgam of enka and pop singers. (Kohaku's lower ratings today may hint at the end or redefinition of such national rituals.) Watching all the TV, beyond being a source of relaxation, was a way of feeling at home at my second home.

This year we tried to do a TV shogatsu as well. Since coming to Connecticut, my wife has always done a great job making osechi ryori, and I recently have gotten a bit better at teuchi soba, so in that field, we haven't done so bad. What we were missing, however, was the TV. We've always had a problem getting Japanese TV here because Japanese networks have done a terrible job packaging their programming abroad. Most big city cable systems will have two or three Korean or Chinese channels, but rarely anything Japanese. There is a service called TV Japan that is available by satellite, U-Verse, and a small number of cable systems, but that is 90% NHK programming (i.e., public television), and only a small amount of commercial programming. Fuji TV has offered a few shows to RNN, but we don't get that here. So instead of trying to develop new audiences for their programming (by adding English subtitles, which they usually don't do), or provide programming for Japanese abroad who are desperate for shows, the Japanese commercial networks just sue internet companies that try to send shows over the net, or wait around until some US company will pay top dollar for Ninja Warrior. It's self-defeating and short-sighted (failures also evident in Japanese film companies). The result is that most Japanese here utilize grey area internet services, or watch for shows on YouTube or Veoh. 

This time, we gave TV Japan a try, in part because we could watch Kohaku. It has some benefits: we can watch the news and my wife got hooked on Atsuhime. But frankly, I don't watch much NHK when I'm in Japan. It's extremely conventional, "good quality" programming that lacks imagination and spice. I'm a fan of variety shows and NHK variety shows suck! But at least this time I could watch Kohaku! 

But it was a disappointment. It was fun seeing Jero (his katakana name is similar to mine), or Kang Sang-jung playing with a Ponyo puppet, but the image quality was horrible! It was like watching a full screen version of an internet clip! And I pay $25 a month for this? Plus, they didn't have any of the other fun oshogatsu programming! (I also hate the fact that half the sports events they show in the news are blacked out for copyright reasons. They can't even get clearance for those? What cheapskates!)

Maybe I should just unsubscribe and try those grey area services. The TV companies will lose money, but one feels that it is their own fault.

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